The Polish film “Cold War” (2018, Director: Pawel Pawlikowski) is a masterful depiction of the imposition of socialism in Poland after World War II and the impacts this had on peoples’ lives. It is musically powered, well-anchored initially by the traditions of the Central and East European region. Subsequently, this musicality provides openings to take the plot to points beyond, including Berlin and Paris.

Cold War is incredibly evocative of a certain time and place in history. The film interprets the cold war through the prism of a love story and a select group of performers. Mainly set in the 1950s, it presents a scenario with sex, the emergence of rock & roll, and — in one scene — a particular type of drugs. There is way too much smoking by today’s standards.

Pawlikowski shot the film in black and white, which conveys the mood of the time. The dialogue in Polish, with a bit of French and German, reinforces the authenticity. That is, the audio corresponds to the geography of the film. (Viewers can opt for English subtitles.)

The movie provides insights into the historical record for Poland. But, it is also relevant as a lesson and contrasting example in today’s geopolitical context more broadly. The viewer may infer the exceptional value of freedom and openness from the negative experiences presented. And, as depicted, the depth of actual trauma from the socialism of the real cold war should serve to chastise those who would trivialize the term “socialist” to slander their opponents in the US today.

Here is a link to the trailer: Cold War. In the US, it is available for free to Amazon Prime members.